Shakespeare's Worst Speaking Roles

Know when It's Time to Quit

The majority of stage actors must, at one time or another in their careers, face the daunting task of performing Shakespeare. Some approach the Bard with relish, some with trepidation. There are those blessed with the talent and good fortune to perform the plum roles, such as Hamlet or Falstaff. Others play smaller but vital parts such as Mercutio and Polonius. Even a minor player such as Macbeth's porter anchors a great scene that stands out for its comic relief in contrast to an otherwise merciless plot.

That being said, Shakespeare has plenty of room in his works for human set dressing. Over a score of characters are given names and make an appearance without uttering so much as a single word. Nearly two hundred have less than 10 lines to speak. Most Shakespearean troupes, for reasons both logistical and financial, long ago decided that the most prudent course was to have non-principals portray multiple bit parts in productions. That usually gives even the least among cast members a fair amount of stage time--which is the ultimate validation for most actors.

On the other hand, those bit roles can also provide a good barometer to the aspiring actor as to when it may be time to set down the grease paint and take up another profession, say, sales or insurance. Yes, it's a great thing to be able to say, "You know, I've got a speaking role in the latest Shakespeare production." However, if you find yourself repeatedly being cast as certain characters (especially without being asked to play any other roles), it may behoove you to consider that career change. What follows is a sampling of some of the worst speaking roles ever penned by William Shakespeare.

Second Gaoler (Cymbeline; Act 5, Scene 4): The "Second Gaoler" appears at the very start of the scene to help escort Posthumus Leonatus into prison. He gets to say, "Ay, or a stomach" to add onto the First Gaoler's line, then never reappears. In contrast, his companion returns for 45 lines in this scene.