Evolution of Icons in the Byzantine Church
By Autumn Oakley, published Dec 15, 2005
Published Content: 18 Total Views: 16,667 Favorited By: 2 CPs
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Art has always been a vehicle for people to express their ideas, their beliefs, their values and themselves. Throughout time it has been used to serve a myriad of varying objectives ranging from decoration to education to pure expression of ideas. The Byzantine Churchtook full advantage of art, icons in particular, to serve its own needs, adapting and reforming over the course of time as the church evolved. The artwork and architecture of the Byzantine Church reflect the transformations the church doctrine underwent over the centuries.During the formative centuries of the Byzantine Church, great church thinkers and leaders felt a pressing need to formulate the theology of their faith in a way that would explain the underlying fundamentals of their belief system. They faced many problems elucidating the basic principles of Christianity, such as the nature of the trinity as a monotheistic doctrine and the exposition of Christ’s two natures. In response to this quest, many scholars put forth explanations for review by the Ecumenical Councils. When the explanations presented did not meet with the approval of the councils, they decried it as a heresy; a great challenge to Orthodoxy. To ensure the triumph of Orthodoxy, the art created in this tumultuous period was devised in ways that would support the decisions of the councils, and re-emphasize to the faithful exactly what to believe.

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Takeaways
- The artwork and architecture of the Byzantine Church reflect the transformations of church doctrine.
- Tthe art created in this period was devised to emphasize to the faithful exactly what to believe.
- As time progressed into the era of the great controversies, battling heretics was important in art.
Did You Know?
In 451 the Fourth Ecumenical Council met at Chalcedon and decried Monophysitism, one of the opposing positions to Orthodoxy.Resources
- Corrigan, K. 1988. “The Witness of John the Baptist in an Early Byzantine Icon in Kiev ,” Dumbarton Oaks Papers, 42 (1988), 1-11. Greek Orthodox Archdiocese of . “Church History.” 2004. <www.goarch.org/en/ourfaith/history/>. Kartsonis, A. 1994. “The Emancipation of the Crucifixion,” Byzance et les images, A. Guillou, and J. Durand, eds., Paris, 1994, 151-187. Maguire, H. 1998. “The Cycle of Images in the Church.” Heaven on Earth. Art and the Church in Byzantium . University Park , Safran, L. ed. Pennsylvania: PennsylvaniaStateUniversity Press, 1998. 121-151. Mango, Cyril. 1972. The Art of the Byzantine Empire. 312-1453. Sources and Documents. Englewood Cliffs, NJ, Prentice Hall, 1972. 139-140. Mathews, T. F. 1971. The Early Churches of Constantinople: Architecture and Liturgy. University Park, PA, 1971. Chapter 7, “The Liturgy of the Faithful.” 155-176. Perl, Eric D. 1998. “’That Man might become God’: Central Themes in Byzantine Theology.” Heaven on Earth. Art and the Church in Byzantium. University Park, Safran, L. ed. Pennsylvania: Pennsylvania State University Press, 1998. 39-58.
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