The Book of Kells: The Alteration of Irish Identity with the Adaptation to Christian Ideals

The Book of Kells contains a myriad of Irish art and history enveloped in its pages. One must question the motivations of its making, and the ideology of the images and techniques being used to truly understand its multifaceted dimensions. The adaptation of Roman antiquity with the implementation of pagan Celtic styles proves to be crucial in identifying the concept of Irish identity.

Before examining the impact of a foreign concept on the shaping of a cultures ever mutating identity, one must understand the images that are already in place. In relation to the Book of Kells, Celtic and Classical Roman imagery will be explored. New ideas from continental Europe managed to surface despite a lack of propinquity. Previously, due to Ireland's detachment from mainland Europe, the Irish community developed an artistic style in isolation, without the benefit of constant continental influence. Fortunately for all, the Book of Kells is currently fastidiously preserved at Trinity College in Dublin, where it had been received after the restoration. (Croinin).

Within the manuscript's pages, curvy linear art can be observed, a means believed to be evolving from the age-old concentric circles and spirals, which can be found in the ancient passage grave of New Grange Co. Meath. Interlacing was also an instrument of expression used in Celtic art. As its name implies, it consists of intertwining bands and images. This strap work is believed to have been a pagan protection device from evil demons. Additionally, hole punching or dotting was a primary source used in Celtic imagery. Rudimentary tools were more than likely the original source for use of a heavy outline, however, the early Irish peoples kept this image as an aspect of a growing source of identification for their embryonic approach. Naturally, when Christian ideals and identity swept over Ireland's green hills, many of these artistic techniques survived into the Book of Kells, adding some traditional panache to a new principle. However, although the classic philosophy of Irish identity was not completely overwhelmed, a definite change was about to transpire.