Narrative Passing in Mary Shelley's Frankenstein

A Structural Relay Race

By Gregory Schneider, published Nov 26, 2005
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The narrative structure of Mary Shelley's Frankenstein occurs in passes, like a relay race with three runners, who each pass the baton in a circuitous pattern. Altogether, there are four passes. Starting with voyager Walton, who opens the novel with a series of letters to his sister Mrs. Saville; then to the Frankenstein's narrative, the ardent student, creator, sufferer; he passes the baton to the monster. The narrative at this point runs counter, where the monster relays back to Frankenstein's voice, then lastly to Walton and his letters to his sister. Keep in mind, though, that the whole of the story is conceived (after all, this is a novel about conception) via the letters from Walton to his sister, from December 11 to September 12:

I have resolved every night, when I am not engaged, to record, as nearly as possible in his own words, what he has related during the day. If I should be engaged, I will at least make notes. This manuscript will doubtless afford you the greatest pleasure: but to me, who know him, and who hear it from his own lips, with what interest and sympathy shall I read it in some future day!

Takeaways
  • The narrative passes make an unbelievable situation believable.
  • In the middle of the narrative passes is the monster.
  • This effect creates a structural morality with monster in the womb of the novel.
Did You Know?
Mary Shelley's father was William Godwin.
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Comments
Showing Comments 1 - 8 of 8
 
 
that is a good description of how the narrative structure in Frankenstein is.

Posted on 12/01/2007 at 10:12:00 AM

 
FUCK YOU

Posted on 09/09/2007 at 12:09:00 PM

 
amen

Posted on 05/20/2007 at 6:05:00 AM

 
im a fag

Posted on 05/20/2007 at 3:05:00 AM

 
nigga

Posted on 05/20/2007 at 3:05:00 AM

 
the greatest thing ever!

Posted on 11/23/2006 at 9:11:00 AM

 
i didnt like it

Posted on 11/23/2006 at 9:11:00 AM

 
good job

Posted on 11/23/2006 at 9:11:00 AM

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