The 50th Year of Lolita: A Discussion of the Two Films and the Book
Kubrick's and Lyne's Film Vision Are Often at Odds with the Nabokov Text
By Eric Westenberg, published Dec 30, 2005
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The emotional intensity we can display in the first post-pubescent relationship we experience will scar our emotional skin. Because we have no wear or age to this skin, any new mark, especially the first will be etched into memory. Whether good or bad. “It is not, Celia(Lolita), in our power…To say how long our love will last; It may be we within the hour… May lose those joys we do now taste…”(1) Sir George Etherege understands the intensity that a new first love can invoke. He also comments on the extreme anxiety one can face in light of the glorious first union coming to an end. The failure to find these feelings in subsequent relations would have the parties involved feeling that they have failed at love completely. Countless writings over centuries contest loves’ power. After understanding that, one should sympathize with Humbert Humbert’s layered love of a young girl in Vladimir Nabokov’s Lolita.
More by Eric Westenberg
- American Foreign Policy Punishes People for Participating in Democracy Yet Again
- A Short History of the Hare Krishnas
- The 50th Year of Lolita: A Discussion of the Two Films and the Book
- Michelangelo Antonioni's Masterpiece Blow Up Through the Eyes of Eisenstein, Bazin and Mulvey
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Takeaways
- There are two film versions of Lolita
- Nabokov originally wrote his own screenplay for Kubrick
- The overriding them in Lolita is love.
Resources
- Watts , Sarah Miles, “Lolita: Fiction into films without fantasy” Literature/Film Quarterly: Number 4 2001
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