The 50th Year of Lolita: A Discussion of the Two Films and the Book

Kubrick's and Lyne's Film Vision Are Often at Odds with the Nabokov Text

By Eric Westenberg, published Dec 30, 2005
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Most of us will remember our first love. Our first non-paternal love stays with us forever. Whether first love is a soft memory or a life-long obsession, society’s attitudes of first love’s importance changes with time. There is on one extreme, a medieval notion of first love, loosely defined as loving one person, only once. Contrasted with the liberal practice of free love in the sixties that claimed as long as you have love for everyone your physical actions are dismissed because you have universal love for the world inside your body. Modern ides of first love obviously fall some where in the middle. How can love so dominate a persons thought?

The emotional intensity we can display in the first post-pubescent relationship we experience will scar our emotional skin. Because we have no wear or age to this skin, any new mark, especially the first will be etched into memory. Whether good or bad. “It is not, Celia(Lolita), in our power…To say how long our love will last; It may be we within the hour… May lose those joys we do now taste…”(1) Sir George Etherege understands the intensity that a new first love can invoke. He also comments on the extreme anxiety one can face in light of the glorious first union coming to an end. The failure to find these feelings in subsequent relations would have the parties involved feeling that they have failed at love completely. Countless writings over centuries contest loves’ power. After understanding that, one should sympathize with Humbert Humbert’s layered love of a young girl in Vladimir Nabokov’s Lolita.

Takeaways
  • There are two film versions of Lolita
  • Nabokov originally wrote his own screenplay for Kubrick
  • The overriding them in Lolita is love.
Did You Know?
Adrienne Lyne directed the 1998 release because he was, �Marked by my love for the book and for the America it depicts and for the doomed, twisted romance at it�s (the novels) heart�
Resources
  • Watts , Sarah Miles, “Lolita: Fiction into films without fantasy” Literature/Film Quarterly: Number 4 2001
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