Description in Fiction Writing: How Much is Enough?
By Steve Thompson, published Feb 28, 2007
Published Content: 2,656 Total Views: 1,971,599 Favorited By: 157 CPs
The fine line between providing too much description and providing too little is easy to cross either way. While you want to paint a lifelike picture for your reader, you don't want to bog them down in description of every little thing your characters see.
So how do you know when you've given enough description.
A good rule of thumb is that a scene should contain a description of no more than three of the five sense. If you're going to describe how something tastes, looks and smells, for example, you can leave out how it sounds and feels. If you are too aggressive in assaulting your reader's senses, he or she will get tired of the prose and will skip ahead to find the action.
If, however, you want to employ all five senses to give your reader a more complete picture of the scene, you should condense as much as possible. Provide as much commentary in as few words as possible and don't go on longer than a paragraph with description. You can also lessen the amount of description by providing it in small bites around action or dialogue.
Another thing you should consider when it comes to description in fiction writing is the object you are trying to describe. It is more important to describe things that seem arbitrary in nature than something that looks the same no matter who or where you are. A hotdog, for example, rarely changes shape, flavor or color; an office building, however, would look different in your mind's eye than in that of your reader.
Description in fiction writing can also be used to provide a distinction. If something ordinarily looks, smells, feels a certain way, but is different in your scene and is important to the story, you would want to spend more time on description. It's important to use description as a tool to draw your reader's attention to important objects or people.
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