Shylock's Humanity in Shakespeare's The Merchant of Venice

Did Shakespeare Grace Shylock with the Gift of Honor?

By Mae Stout, published Jan 25, 2006
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DA Traversi writes that Shylock "is among the first of Shakespeare's characters to require from us, like so many of the later tragic heroes, a response in which different and even contradictory judgments are simultaneously evoked". He is in many ways unchanging - something of a stock character, a distillation of the Jew as represented in the literature of the time, such as the Jew of Malta. But where Shylock differs from Barabas is in the characters motivation for violent action, which must, in context of the play, be seen in some ways as outside a strictly condemned Jew. In fact, it is this very sense of motivation that sets Shylock apart from Barabas, for in writing on Shylock’s reasons for his actions, an audience is given the chance to understand him, and in some slight ways, perhaps, sympathize with him. Traversi echoes this sentiment when he writes that Shakespeare “provides [Shylock] with motivation for the behavior expected of him in the light of established conventions. Once more a growth in expressive capacity is accompanied by a widening in the possibilities of dramatic representation”.
Shylock is not a likeable character. Not in Shakespeare's time, and not in ours. A reader is struck by the many ways in which Shylock withholds - from his very first lines we can see that he is devising a private plan while doing business with Bassanio; we see him make an aside to the audience which reveals his hatred for Antonio, without Bassanio’s knowledge; further and perhaps most importantly, we learn that his fortune is made by withholding money, in a sense - by the practice of usury. We are automatically made to view him askance. And yet, within this negativity Shakespeare plants his first seeds of a human within Shylock’s persona:

I hate him for he is a Christian,
But more for that in low simplicity
He lends out money gratis and brings down
The rate of usance here with us in Venice.
...
He hates our sacred nation, and he rails,
Even there where merchants most do congregate,
On me, my bargains, and my well-won thrift... (Act I, S.3, 42-50)

Takeaways
  • How might have playgoers in Shakespeare's time viewed Shylock in comparison to a modern perspective?
  • What makes or fails to make Shylock a tragic hero?
  • Does Shylock inherently fail because of he's Jewish, becuase he is too literal, or both?
Did You Know?
BBC Extensively adapted the works of Shakespeare for film: their 37 plays on videotape are a valuable resource when exploring adaptations and interpretations of Shakespeare.
Comments
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You are probably not familiar with the article by Neil Hirschson in Midstream Magazine (1985c) in which is revealed through Shylock's use of the word "our" in addressing Antonio the merchant -- "OUR father Abram", sufferance is the badge of all OUR tribe" and much more such signs -- that Antonio is a former Jew who had become a Christian. This knowledge changes Shylock's "I hate him for he is a Christian," since it then means "I hate him for he is [a Jew who became] a Christian." Note Shylock gives him a free loan, which the Bible demands that a Jew give to his fellow Jew, and much more besides. It is revelations like this that transforms the play. Among the elements to be noted is that, while Portia asks Shylock to show mercy to Antonio, she does not show mercy to Shylock when she has subdued him. She takes all his money, both halves. The play is actually critical of the tormentors of Shylock that show no sympathy for a lonely widower whose daughter has robbed and betray

Posted on 11/01/2007 at 1:11:00 PM

 
i found it hard 2 understand this play at the start when i read da easier version i se were u are coming from about shylock and thats alli was realy interested in , i think i would have liked it better if therehad of been more detail on him about like um ock a dunno jus more detail

Posted on 03/14/2006 at 11:03:00 AM

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