Sign of Failure and Means of Education: The Green Girdle as Religious Symbol in Sir Gawain and the Green Knight
By G. Stolyarov II, published Apr 17, 2007
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Sidney E. Berger considers the girdle the means by which Gawain departs from the true Christian pilgrim's way of spiritual self-improvement. For R. Allen Shoaf, the girdle symbolizes Gawain's excessive reliance on his own judgment for the interpretation of the "surfeit of signs" around him. Shoaf also discusses the girdle's positive symbolism in leading Gawain to recognize and function within his human constraints. Phillipa Hardman deems Gawain's belief in the girdle's magical properties compatible with a fourteenth-century Christian view of piety: many of the poet's contemporary readers would have believed in such protective powers. Hardman argues that the poet uses the girdle's magical association as a red herring for his readers-leading them to make Gawain's own error in misinterpreting it. Tison Pugh claims the girdle represents Gawain's cheating at Bertilak's godgame. Yet the girdle is more than a symbol of Gawain's failure: it is a means by which he receives instruction. By falling short of the godgame's standards, Gawain fulfills Bertilak's purpose of teaching him man's need for humility. Julian Wasserman and Liam O. Purdon see the girdle as the centerpiece of Gawain's sin-whose withholding makes his first confession false. Wasserman and Purdon compare Gawain's intent to commit sin after the confession to Guido da Montefeltro's quest for absolution from future sins in Dante's Inferno.
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Did You Know?
Charlemagne romances, stories of the Virgin Mary, "manuscript illumination, wall painting, embroidery, sculpture, and stained glass" (Hardman 255) told of girdles' abilities to save their possessors from physical harm.
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