Mysticism in the Romantic Era
By Jessica Goodwin, published Apr 23, 2007
Published Content: 39 Total Views: 9,308 Favorited By: 3 CPs
Some of the most common themes in Romantic literature were mysticism, magic, and the occult. Johann Wolfgang von Goethe's Faust is no exception to this commonality. While incorporating a presence of mysticism and alchemy in his play, Goethe also confronts religious tradition by displaying an array of Greek mythological references (especially in the second part of the play) where the Classical Walpurgis Night takes place, as well as Faust's marriage to Helen of Troy and various other mythological characters that are mentioned. Through Faust, Goethe also challenged the importance of learning and the acquisition of knowledge by Faust's apparent discontent with his elite education.
In the first part of Faust, the set-up mirrors that of the beginning of the Biblical story of Job. "Part One opens with Mephistopheles entering into a bargain with God for the soul of Faust. Faust has struggled long for enlightenment, has studied deep, and thirsts after knowledge and understanding. God indicates that Faust serves His plan uncomprehendingly and that he will eventually be led towards the light, but He grants Mephistopheles the freedom to lead Faust astray. Thus Goethe subtly alters the Faust story at its outset by paralleling it with the testing of Job" (McLean).
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