Black Women in Filmmaking

It is indeed a wonderful revelation in the history of world cinema that immensely talented women filmmakers of Africa and the African Diaspora are making it really big in innovative filmmaking. Not only are they challenging old cinematic prescriptions, they are also using their superior art of cinema to create and establish new visions of their people and the world. The journey of black women filmmakers began as early as 1922 when Tressie Saunders, a black woman director made the exemplary film 'A Woman's Error'.

It was the first attempt of its kind in that era to decolonize the gaze and to ground the film in the black female subjectivity. However, today even after a long history of evocative work, black women directors have had a long, slow path to the director's chair, where only a handful of black woman filmmakers have been able to break through the racial barriers in Hollywood.

But apart from Hollywood, many of the black women from Africa and in the United States have been able to stand out in respect of world cinema. In fact, filmmakers like Julie Dash (originally from New York City) has long ago won the Best Cinematography Award with her much acclaimed film "Daughters of the Dust" at the 1991 Sundance Film Festival. On the other hand, Cheryl Denye from Liberia has received worldwide fame and accolade with her film The 'Watermelon Woman' (1996), which happens to be the first African American lesbian feature film in the history of world cinema. Another woman filmmaker, Safi Faye from Senegal has to her credit several ethnographic films that brought her international acclaim and earned her several awards at the Berlin International Film Festivals in 1976 and 1979.