Implied Consent: Act II, Scene IV

A Play on the Sanctity of Human Life, in Four Acts

This is a part of Mr. Stolyarov's play, Implied Consent. To navigate through the various parts of the play, go here.

(Enter MARK and VICTORIA into VICTORIA's residence. It is a house of ample size, with numerous works of classical art decorating the walls. There are two ornate chairs at the center of the stage.)

VICTORIA: Be seated, Edward, if I may call you that. Let us enjoy the true comfort of a sincere conversation among individuals, as we are at last free of that crowd of people who applaud a lot and understand not that, which they are applauding. I usually prefer to spend my time in a more refined manner.

MARK: How so?

VICTORIA: Unlike a certain person with whom you conversed to your own dismay, I know how to manage an inheritance well. I came upon it as the last survivor of the family line stretching from the elder brother of Quintus Grummond. Using it, I have created what no one else in the world possesses, not some passing fancy, mind you, but a permanent entity, whose contents and benefits to me are cumulative.

MARK (curious): What is it?

VICTORIA: Whence did that melody originate when we first met? How was it made audible without an instrument or a pianist, or even a stationary device that could play a recording? Do you truly think that the music started to play as a mere coincidence? No, Edward, it was a test of sorts that I had performed on you, to see if you were worthy of my company, to observe if you had the ability to appreciate the greatest heights to which man, through his rational creation, can aspire. I saw your approach, and was interested as to what would motivate you to seek me out. I do not grant my acquaintance to others easily, you know.