The Portrayal of Love in Two Poems

An Explication of the Poems "Alms" by Edna St. Vincent Millay and "Variations on the Word Love" by Margaret Atwood

By Tracie McFarlin, published Apr 09, 2006
Published Content: 3  Total Views: 6,075  Favorited By: 1 CPs
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Full text of the explicated poems are avaliable at the end of this essay.

Love is a complex and mysterious concept: It is impossible to truly define, despite the fact that everyone experiences it at one point in this life. Countless men and women have tried to capture love with words, and while they have been able to portray many aspects of it, they always fall short of true definition.

Despite the fact that no piece of literature perfectly captures the concept of love, reading writings about love is useful. The poems "Alms" by Edna St. Vincent Millay and "Variations on the word love" by Margaret Atwood are especially useful for the reader - these poems express two different intepretations of love, which the reader can use to understand the love in his own life.

The poem "Alms" by Edna St. Vincent Millay takes an interesting approach when explicating the speaker's experience of love. It uses an extended metaphor, portraying the speaker's heart as a house and her lover's love as a frigid winter that surrounds it. "My heart is what it was before,/A house where people come and go" (Millay, 1-2) the poem begins, thus establishing the poem's setting. The speaker's heart/house is surrounded by frigid weather: "...it is winter with your love,/The sashes are beset with snow" (3-4). Millay continues to use cold weather imagery: "The frost is thick upon the pane" (8); "The leaves are listless on the boughs" (10).

Takeaways
  • Love cannot be truly understood
  • Love can take on many appearances
  • Love cannot be resisted
Did You Know?
Edna St. Vincent Millay published her poetry in the 1920's; Margaret Atwood is a more contemporary poet. Despite the time between their writings, many of their poems are comparable.
Resources
  • Works Cited Atwood, Margaret. "Variations on the word love." 1981. Love's Witness: Five Centuries of Love Poetry by Women. Ed. Jill Hollis. New York: Carroll and Graf-Avalon Publishing Group, Inc, 1999. 20-21. Google Book Search. 2005. Google. 4 Dec. 2005 <books.google.com> Hubbard, Stacy Carson. "Love's 'Little Day': Time and the Sexual Body in Millay's Sonnets." Millay at 100: A Critical Reappraisal. Ed. Diane P. Freedman. Carbondale: Southern Illinois UP, 1995. 104-107. Modern American Poetry. Ed. Cary Nelson. 2002. Department of English, U of Illinois at Urbana-Campaign. 4 Dec. 2005. Millay, Edna St. Vincent. "Alms." Early Poems. Ed. Holly Peppe. New York: Penguin Books, 1998. 108-109. Google Book Search. 2005. Google. 4 Dec. 2005. <books.google.com> Rollins, Jill. "Margaret Atwood." Rev. of Margaret Atwood. 2003. MagillOnLiterature Plus. EBSCO. Riverside Community Coll. Digital Lib., Riverside, CA. 4 Dec 2005. <search.epnet.com/login.aspx?direct=true&d;
Comments
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This is a well-done review and THANK YOU for introducing me to these two wonderful artists (that I must avoid now eternally LOL!). I hope you like mine too.

Posted on 06/28/2008 at 9:06:49 AM

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