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Tradition, Modernity, and the African Woman: The Writings of Buchi Emecheta and Bessie Head

By Cynthia C. Scott, published Apr 18, 2006
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European colonization has been a double-edged sword for Africa. While it has undermined and controlled political autonomy on the continent, it has also brought modernization, which in itself has proven to be as equally problematic, particularly when the issues of traditional African values come into play. Many novels and long poems written by African writers address the issue of modernization and its affects on those traditions. Yet the complexity of these issues are not fully addressed until it deals with the subject of female subordination within traditional African societies. 

Two authors who do address this problem are Buchi Emecheta and Bessie Head. Both Emecheta and Head, in their works The Bride Price and "Snapshots of a Wedding," respectively, look at the conflicts that arise when modernization clashes with traditions from a feminine perspective, addressing particularly how modernization has opened up new options for African women, but at the same time created fissures between those new models and old ones.

In order to understand how those conflicts come about, it is important to look at the contradictions in both modern and traditional roles for women. The role women play in traditional African societies is that of subordination to their male counterparts. While African women can attain certain degrees of power and wealth within their communities (for instance, in many villages, women control the marketplace and are able to generate great wealth and power), their role within the village and home is still to support and be secondary to men. 

Takeaways
  • Modernization has had ambiguous results on African culture and society.
  • Head and Emecheta's work reflect the changes in self-identity of African women.
  • Unlike modern societies, in African cultures, the community is more important than the individual.
Did You Know?
Author Bessie Head was born in a mental institution in South Africa. Her mother, who was white, was institutionalized by her parents because she had had an affair with a Black man.
Resources
  • Bessie Head When Rain Clouds Gather Maru A Question of Power Buchi Emecheta he Bride Price, 1976 The Slave Girl, 1977 Titch the Cat, 1979 Nowhere to Play, 1980 The Moonlight Bride, 1980 The Wrestling Match, 1980 On Our Freedom, 1981 Destination Biafra, 1982 Naira Power, 1982 Double Yoke, 1982 The Rape of Shavi, 1983 Adah's Story, 1983 A Kind of Marriage, 1986 Family Bargain, 1987 Gwendolen, 1990
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