Monty Python's Spamalot

Full of Spammy Goodness

By Erin McMaster, published May 16, 2006
Published Content: 86  Total Views: 35,717  Favorited By: 6 CPs
Rating: 3.1 of 5


I am an admittedly huge fan of Monty Python, so when I heard that my friend had been able to get us tickets to the sold out Spamalot I was more than excited. I had dreams filled with bunnies, knights and shrubberies.

Upon walking into the Shubert Theatre on West 44th, I was already amazed. Sure, the theatre is beautiful, but the first glance at the stage sets up some Monty Python goodness to let you know you're in for a special treat. If you have ever seen Monty Python and the Holy Grail, or any Monty Python for that matter, you know exactly what I am talking about. The clouds are perfect Monty Python Clouds floating above a perfect Monty Python Gate.

For those of you not in the know, Spamalot is a musical adaptation of the most successful of the Monty Python adventures, Monty Python and the Holy Grail (1975). It follows the adventures of King Arthur (Tim Curry) as he gathers his Knights of the Roundtable in order to find the Holy Grail, a quest set before them by God (recorded by John Cleese). Among the Knights of the Roundtable you will find the unforgettable Sir Robin (David Hyde Pierce) and the sexually ambiguous Lancelot (Alan Tudyk). And unlike a mere mention in the film, the Lady of the Lake (Sara Ramirez) has a presence in the musical.

Many of the best scenes from the movie made it into this stage adaptation, including the Black Knight, the taunting French Guard (Alan Tudyk), and the Killer Rabbit. Several were left out entirely such as the Bridge of Death and the female spanking enthusiasts. But have no fear, in the two hours and twenty minutes of musical comedy there are some new bits. There are jokes made at the expense of other musicals from Andrew Lloyd Webber's work to Mel Brooks' The Producers or the presence of Jews on Broadway, and references to Monty Python sketches. They have added the kitschy love ballads and diva songs to further flesh out the bones with which they started. And the singing is amazing. There is not a weak note in the entire production. Sara Ramirez is probably the strongest vocally and does a great Liza Minnelli.

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I would kill to see this musical. OK, maybe not. But I might seriously maim. Now all I have to do is find someone with a ticket...

Posted on 02/01/2007 at 8:02:00 PM

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