A Few Favorite Opera Arias & Duets for the Opera beginner

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For those not already familiar with the opera and think it is a dated music genre. Here are a few operatic numbers you might find yourself enjoying more than you thought you would. The sample clips' URL are found on the
 Internet and are listed for your convenience. Their source pages are listed at the bottom of the essay.

SOPRANO ARIAS:
1. PUCCINI: La Boheme: Quando m'en vo (Musetta's Waltz)
sample: http://www.youtube.com/watch?v=mQ1aMqj98sQ
If you have seen the film Moonstruck, you have heard this song by the flirty Musetta (tho I believe they used the instrumental version of it as the background music when Olympia Dukakis' character gets walked home after dinner). You will have heard a modernized take of it if you have seen the play Rent, which is also a modernized theatrical take on Puccini's opera 'La Boheme'.

Anna Netrebko sings it very well, so does Angela Gheorghiu, but my favorite take is by Mirella Freni.

2. MOZART: Zaïde: Ruhe sanft
sample: http://www.youtube.com/watch?v=1NEn8f-kzKk
This opera is Mozart's unfinished precursor to his latter work, 'The Abduction from the Seraglio'. The opera itself may have been long forgotten, but this soprano aria sung by Zaïde has long been a standard fare at lyric soprano recitals. If you have seen the film Amadeus, you might have caught a glimpse of it (at any rate, it is in the soundtracks CD for the film... sung by the distinguished Dame Felicity Lott). It is an easy going song beautifully highlighted by the French horns with some drop dead gorgeous upward forays into coloratura soprano high notes. I love the versions by Edita Gruberova, Natalie Dessay, and Sandrine Piau.

3. BELLINI: Norma: Casta diva
Sample: http://daper.en.eresmas.net/SONORS_archivos/ariasopera/bellini...norma-casta(callas2)(1.21).mp3
Norma, the druid priestess, is the ultimate role for the soprano repertoire. In this Act I air, she is leading a prayer for peace between the druids and the Romans. It is set at a walking pace with minimum orchestral accompaniment and the soprano voice soaring above it. A very dignified and haunting song (if done right, that is).

Opera songs are all around you and they aren't as stuffy as you might think!
 
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Thanks, Aktiv & Silky! Hope you'll find a lot of songs to love from the opera, too. They really are used a lot in films and commercials without being identified. I think I had just heard the prelude to Wagner's 'Die Meistersinger' in a background of another ads earlier this evening (didn't catch what it was pushing). :o) Thanks again for putting up with me!
I am certainly not an Opera fan and I found your essay extremely interesting. I'm printing it out to reread at leisure. It's obvious you know a lot but equally as important is the way you communicate your knowledge. You have a gift there. I've put you in my subscription list -- Silky.
All good choices! Thanks.
I wish I can, OperaC. But I don't think they let me edit after the thing's published here. :o( O, well... Ya' don't have to read all of it, tho. And if you hit the 'Print Mode' link, it'll let you read the thing in 1 page. Then you can skim the titles, perhaps. It's long because opera is a very hugely big genre. I haven't even included trios or bigger ensemble pieces and the choruses yet. Do appreciate your point about the lenght being intimidating, mate. 'Print mode' is the way to go, I'm afraid. Thanks for the constructive suggestion!! :o)
I rated your article three stars. I can understand why an opera fan might be thrilled reading this; however, your title suggests that what you've written here is for beginners. Being a beginner, I'm not exactly thrilled about reading a 12 page article. Perhaps you could shorten it to a couple of pages so we beginners will be able to digest it more easily.
And you also speak French (translating Carmen's French lyric)! :o) Amazing! Ya' know, I wanted to play the French horn when I joined the high-school band, but they had no vacancy there, so I picked up the Eb clarinet instead. We're never heard.. getting drowned out by the flutes! You'd really like Donizetti operas. He loved using the FH there. And Mozart has a great FH obbligato aria for Sifare in his opera 'Mitridate.' :o) Don't worry about the bad ratings, matie. I know who's behind it, and he isn't worth fretting about. Cheers!
Ok - I'm almost done (all done reading, last comment): I've apparently heard more opera than I'd realized, since I'm familiar with a LOT of these - and not just from TV! What I must wonder, as I read all these positive comments, is who are the evil cowards who downrate a fine article and don't have the guts to comment on why? This deserves five stars!
Now, does La Donna e Mobile really mean the lady is fickle, or does it mean the lady is furniture? My Italian isn't as good as my German... (o:
ON page 4 now (could you have made this just a little bit longer?) and would like to THANK YOU for noticing how beautifully the French Horn accompanies opera vocals. If only my band instructor back in the day had realized that there actually IS music not by John Phillip Souza, I might have stayed in, if only to get into the orchestra some day, where the French Horn gets the parts it deserves! LOL!
Lovin' it - I'm only on page three so will probably have more to say. Gotta agree with you on Wagner's Flight of the Valkyrie - everybody in the US has heard it whether they know it or not. And how perfect was THAT in Apocalypse Now? Awesome. Also love Bizet's Carmen (and yes, love is a rebellious bird... who lands only to fly away again if you try to hold on to it...) ( ; Laurel
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