Before You Write a Comic Book Script: An Essay for Writers
By Jacob Malewitz, published Jul 24, 2007
Published Content: 323 Total Views: 66,480 Favorited By: 18 CPs
Where do comic writers begin? Just like a piece of fiction the possibilities are endless. We can start out with a single scene, or a hero, or even a mystery plot. What matters is that we develop this initial thought to work in building a story with merit. Many top publishers of novels do not accept unsolicited submissions (meaning you cannot submit your work unless they want it) and the same is the case with comic book publishers. Marvel and DC comics will not even look at anything you send them. There are plenty of markets for a new script writer to break into, and the next point will lead into this.
Some smaller markets get inundated with submissions, and this makes it hard for someone with talent to get noticed. It is usually easier for an artist because whether they have talent or not can be seen by glancing at one drawing. A comic book writer's talent takes a few pages to see, and many editors will only give a page. The trick is not always to be original, but finding something from the company's history that could be done again. For example, publishers like Dark Horse have plenty of alien creatures fighting, or futuristic worlds like "Akira," but few signature super heroes like a Batman or Spider-Man. This is not to say it would be easier to publish the one over the other, but it points out that publishers will give something a chance if they do not already have several titles focused on it.
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Did You Know?
Many top writers began with either small publishers (Alan Moore wrote for 2000 AD) or go the self publishing route (Brian Michael Bendis was first noticed in self publishing).
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