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Have Fun with Your Fiction, Part III - Experiential Fiction

By Khara House, published Aug 09, 2007
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Writers are not infrequently given advice that goes a little something like this: "Write what you know." This piece of advice typically suggests writing about topics you are moderately to expertly knowledgeable of. If you don't know what an atom is, you shouldn't be writing science fiction. If you've never experienced deep hurt or great love, it might be difficult for you to write realistic or relatable fiction based in either of those topics. For example, I once wrote a romantic story of a single father who falls in love with the single and cancer-recovering mother who happens to be a favorite person of his daughter; meanwhile, the daughter meets and begins to fall for the son of the woman. All this happens in the midst of the turmoil of one family's struggle to deal with the loss of a family member and divorce, and the other family's battle with the broken relationship between mother and son. I had a teacher read parts of the story. Her comments made the "Write what you know" advice all the more potent to me. "It's okay," she told me, "but you can't possibly really know what you're talking about." To this trusted advisor, the most realistic portions of the narrative were the young girl's journal entry interjections into the story's plotline. Her journal entries were actually snippets from my own journals.

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Comments 1 - 6 of 6
 
 
Writing what you know is really taking those shared universals we all know and applying them to situations we might not all experience (but could relate to anyway)! (Maybe that should be the topic of my next writing essay!) :)

Posted on 02/04/2008 at 8:02:36 AM

 
I agree, Adam; the idea of "writing only what you know" is a concept that probably extends more boundaries than what many writers who interpret it more literally mean. I have never lived in New York and been caught in a rainstorm with a faulty umbrella; but I know what I'd be feeling if I was caught in a rainstorm ANYWHERE with a faulty umbrella! That's the truth behind writing what you know; even if you don't know firsthand what something feels like, or what it is to be a certain type of person (like a doctor), in your story, you still know-- or have some idea-- of what it would be like to experience some of the things he/she might experience (a hard day for a doctor can still mirror your hard day at work; a surgery gone bad can feel like a sales pitch that flopped or being told your work is subpar in any field, et cetera)! Writing what you know is really taking those shared universals we all know and applying them to situations we might not all experience (but could relate to anyw

Posted on 02/04/2008 at 8:02:12 AM

 
Interesting article. I have to say I usually disagree with the "write what you know concept." A good writer, like a good actor, should be able to take on almost any character or situation, and make it believable. There are exceptions, of course, but the human condition links us all, and usually makes up for the difference.

Posted on 02/03/2008 at 11:02:11 PM

 
Great tips. "Write what you know" never worked for me. The more I learn the more I realize I don't know anything.

Posted on 08/14/2007 at 1:08:00 PM

 
Khara, this article is just what I needed. I have such a difficult time developing my characters. I'll have a great idea for a story, but I just can't seem to bring the characters to life. I will try your advice.

Posted on 08/11/2007 at 7:08:00 PM

 
I often have trouble with this, so thank you, thank you! Great article!

Posted on 08/09/2007 at 9:08:00 PM

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