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The Best "Faithful" Novel to Film Adaptations

By Timothy Sexton, published Oct 19, 2007
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The conventional wisdom has become such a cliché that it has almost lost all meaning. The book was better. In many cases, especially back when books were longer than the screenplay upon which they are based, this was very often true. It was perhaps just as often, however, that many movies were better than the books they were based on. The examples of movies that surpassed their literary sources because they significantly altered the text are legion: Jaws, The English Patient, The Shining, and any movie based on a novel by Tom Clancy. In most cases where the movie is better than the book it is because the book either was too pulpy or too literary; in either case the film succeeds by focusing on the story. It is the rare case, indeed, when a great movie results precisely because of its faithfulness to the novel. It does occasionally happen, however.

The most obvious case of a great movie arising because it made so few changes to the novel upon which it was based has to be The Maltese Falcon. What even most fans of classic movies don't know is that The Maltese Falcon with Humphrey Bogart is not the first movie based on the novel. In fact, John Huston's Oscar-winning screenplay for the 1941 version of The Maltese Falcon was actually the third version to reach American theaters. That Huston actually did cop an Oscar for his screenplay is rather amazing; what he basically did was rewrite Dashiell Hammett's entire novel in screenplay form. I'm not kidding; enormously large chunks of the movie's snappy dialogue were taken verbatim from Hammett. Huston's contribution to the screenplay is negligible at best. What makes the most famous version of The Maltese Falcon such a classic is that it is probably the closest thing ever made to a page for page translation of a novel into film.

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The change in Hitchcock's Rebecca from the novel plays a significant Hollywood altercation. A purely moral decision, probably more on the part of David O' Selznick, who was in constant clash with Hitchcock. The choice made for the film adaptation completely changes how the audience (vs. readers), view a main character. Motivation is everything. Great piece Tim.

Posted on 10/25/2007 at 1:10:00 AM

 
Now the line gets blurred when the studios release the "novelizations" of a released movie based on the screenplay, which in turn was based on a novel. Well, I think those novelizations may be based on original screenplays mostly--but I'm not sure of that. And while most people would argue with it--I think Kubrick generally improved upon the books of his movies. "2001", as you know, was wisely changed from the original concept...much to the gripes of Arthur C. Clarke fans. Kubrick's ambiguous statements on the screen paved the way for "2001" to become a classic easily stunning you forty years later rather than a great Sci-Fi classic that's a bit of an anachronism.

Posted on 10/20/2007 at 11:10:00 AM

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