The History of Horror: The Cinema Part III

1970s and 1980s: The Auteur Movement and Horror Gets Graphic

By Cynthia C. Scott, published Oct 20, 2007
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1970s and 1980s: The Auteur Movement and Horror Gets Graphic

The late 1960s saw a rise in horror films that became stylized and realistic, taking on the auteur movement of such filmmakers as Jean Luc Godard and Francois Truffault. Polish filmmaker Roman Polanski had made a name for himself as a director in his native country with such psychological suspense thrillers as Knife in the Water (1962) and Repulsion (1965), starring French actress Catherine Deneuve, revealing a style suitable for horror films. In 1967, Polanski directed Fearless Vampire Killers, a humorous take on the old legend. When producer Robert Evans bought the rights to the Ira Levin novel Rosemary's Baby, he turned to Polanski to helm the big budget production. Rosemary's Baby isn't a horror film in the traditional sense with monsters and other horror creatures stalking the cinematic landscape, but, like Lewton's previous work, used the psychological fears of the recent Thalydimide scares of the 1960s to create a story of demon birth. The fear of authority, in this case medical authority, was prime material for younger audiences who were rejecting and rebelling against the values and conventional wisdom of older generations. Other films, such as George Romero's Night of the Living Dead, represented the changes occurring in American society during this period. Starring Duane Jones, one of the first African American actors to lead in a horror movie, Night of the Living Dead turned over old ideas of what constituted a good horror picture by using cinema verite filmmaking and making its Black lead the hero. Romero has often stated in interviews that his film was a social commentary on the changing of the old guard (the humans in the film) being devoured by a new revolutionary spirit (the ghouls). His 1970's sequel, Dawn of the Dead, likewise commented on the growing mall culture in America and the incessant materialism and consumerism that replaced spirituality and communality that defined earlier decades.

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My book "It Came from the Seventies," due out in October, will feature a collaboration with Bram Soker-nominee Michael McCarty that will feature the reviews I did of (nearly all) these films when they were current, complete with quizzes and factoids easily obtainable from the IMDB (your source material). The reviews were written while I was the Film and Book Critic for the Quad City Times and appeared in that Pulitzer paper, and, as such are Time Capsule worthy, as they were written when the movies were in the cinema, not from the vantage of hindsight, years later. Check it out, come fall, to see what the prevailing wisdom of the day was, when those films first hit your local Cineplex.

Posted on 02/17/2008 at 1:02:20 PM

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