Movie Review: Mr. Untouchable

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There's a moment in Marc Levin's ferocious new documentary, Mr Untouchable, when your heart just breaks. Moments after winning game seven of the World Series, a news reporter asked a young African American boy if his hero was the series' MVP, Reggie Jackson. The child responded, no it was
 Nicky Barnes.

Nicky Barnes, who the New York Times nicknamed "Mr Untouchable" in 1977, was New York's most successful heroine kingpin. Levin's documentary chronicles the lavish life of the millionaire, covering his battle against addiction, his rise to power and his ultimate downfall.

Filled with love, lust, power and revenge, Barnes story is an epic tale and Levin cuts right to the heart of this monstrous drug lord's true life narrative with a sense of style and pizzazz fitting of the supercilious gangster. With a fantastic soundtrack and powerful imagery, Levin makes what could have been a bad episode of cops a fully cinematic experience.

Of course it helps to get a hold of the man himself, Nicky Barnes, now under a different alias living under the witness protection program. While all of Barnes cohorts tell fascinating tales about the kingpin, there is something extraordinary about seeing the first photographed imagery of Barnes since his release from prison.

Even today, a reformed man, his gigantic ego still overshadows his personality. It is easy to see how Barnes became such a success, his personality is overwhelmingly charming, despite his cut throat reputation and holier than thou attitude.

The documentary is incredibly well structured. Early in the film Levin lets you become attached to Nicky Barnes the person. As he makes his turn from junkie to kingpin, you can't help but feel caught up in his success, no matter how dastardly his deeds were. Not only was Barnes the coolest cat in Harlem, he also did good will for the community he was destroying. While he was filling the streets with junkies, he was also handing out turkeys to the poor during Thanksgiving. Hypocritical? Maybe, but it is cinematically effective.