Review of Kelly Sweet's Debut Album We Are One

Born to an artist mother and a jazz pianist father, Kelly Sweet grew up within a creative environment, and knew at an early age that her calling would be music. Now at 18-years-old, Sweet has released her debut album, "We Are One" under the Razor & Tie record company. Sweet co-wrote four of the twelve tracks on her first album, ending with an adult contemporary disc of mediocre, ethereal songs.

The love ballad title-track starts "We Are One." The vocals are light but Sweet's high notes border cat screeching. The first release, "Raincoat," is a wonderfully enjoyable listen with its breezy tone and jazz influenced music. The album takes a drastic turn as Sweet provides the listener with a new appreciation for classics. Kelly poorly covers Aerosmith's "Dream On," as her version is watered down and lacks the longing and wrenching emotion required. It is insulting to the beauty of the Steven Tyler song and a good reminder to never remake an original that still packs a punch.

"Caresse Sur L'Ocean," either a short song or a long interlude, displays soaring high notes sung in French. Two more love ballads follow with "Crush" and "Ready For Love." The lyrics are hopeful and accepting and are paired with good melodies. An Italian massacre occurs with a track originally written in English, entitled "Who Can I Believe In?" Marco Marinangelli, Italian lyricist for Josh Groban, translated the lyrics to Italian, re-titling the song "Giorno Dopo Giorno." Unlike Groban, however, Sweet sings incompetently in the romance language. The instrumentation crescendos into what could be great sound, but the vocals and production falls flat.

Kelly Sweet - "We Are One"

Credit: Amazon.com

Copyright: Amazon.com