"I don't write to accommodate the style du jour and refer to myself as writing poetry that...
Credit: Karl Stuart Kline | ©Karl Stuart Kline
Interview with Karl Stuart Kline, Author of Brain Stemmed Roses
Poet and author, Karl Stuart Kline is a past president of Epilepsy Concern, a coalition of self-help groups; a past president of the Greater Miami Avicultural Society and a lifetime honorary member of the Florida Sheriff's Association.
He made his debut as an author in 2004 with the publication of Poison Pearls, an 88-paged collection of poetry and prose which explores issues that include forced labor, modern-day slavery, human trafficking and prostitution.
He followed this up with Going Without Peggy (PublishAmerica, 2005), another collection of poetry and prose about his marriage of 17 years and the bond that existed between him and his first wife, Peggy; her struggle with breast cancer and the effect her death had on him.
His latest book, Brain Stemmed Roses (PublishAmerica, 2006) is also a collection of poetry and prose and includes some of his early work from the 60s and 70s as well as poetry about romance and friendship in Eastern Europe and a section dedicated to his wife of seven years, Marina.
In a recent interview, Karl Stuart Kline spoke about the work he is doing.
How would you describe your writing?
Impulsive... I seldom sit down knowing in advance just what it is that I am going to write or what form that it is going to take. I find a certain amount of freedom in that because each time that I sit down to write, I have a different story to tell and a different way to tell it.
I want my work to withstand the test of time and for it to be as popular and well-read in a hundred years as it would be now if I was writing to please modern stylists.
I don't write to accommodate the style du jour and refer to myself as writing poetry that will appeal to people who think that they don't like poetry.
When did you decide you wanted to be a writer?
I don't believe that it was ever a conscious decision any more than it is for a fish to swim. Writing has always been as natural as breathing for me and the instruments of my craft are always close to hand.
A school assignment prompted me to write my first poem in 1966. The medium just had a natural appeal for me and I continued to write poetry as a matter of preference whenever possible.
He made his debut as an author in 2004 with the publication of Poison Pearls, an 88-paged collection of poetry and prose which explores issues that include forced labor, modern-day slavery, human trafficking and prostitution.
He followed this up with Going Without Peggy (PublishAmerica, 2005), another collection of poetry and prose about his marriage of 17 years and the bond that existed between him and his first wife, Peggy; her struggle with breast cancer and the effect her death had on him.
His latest book, Brain Stemmed Roses (PublishAmerica, 2006) is also a collection of poetry and prose and includes some of his early work from the 60s and 70s as well as poetry about romance and friendship in Eastern Europe and a section dedicated to his wife of seven years, Marina.
In a recent interview, Karl Stuart Kline spoke about the work he is doing.
How would you describe your writing?
Impulsive... I seldom sit down knowing in advance just what it is that I am going to write or what form that it is going to take. I find a certain amount of freedom in that because each time that I sit down to write, I have a different story to tell and a different way to tell it.
I want my work to withstand the test of time and for it to be as popular and well-read in a hundred years as it would be now if I was writing to please modern stylists.
I don't write to accommodate the style du jour and refer to myself as writing poetry that will appeal to people who think that they don't like poetry.
When did you decide you wanted to be a writer?
I don't believe that it was ever a conscious decision any more than it is for a fish to swim. Writing has always been as natural as breathing for me and the instruments of my craft are always close to hand.
A school assignment prompted me to write my first poem in 1966. The medium just had a natural appeal for me and I continued to write poetry as a matter of preference whenever possible.
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