How NOT to Do Film Parodies: A Not-so-loving Look at Aaron Seltzer's Date Movie

Ever since the Zucker-Abrahams-Zucker team took a 1950s aircraft-in-peril movie titled Zero Hour and skewered its melodramatic excesses in the now-classic Airplane!, the "film parody" sub-genre of comedy films has spawned hit-and-miss efforts that encompass all kinds of Hollywood genres...action-adventure (Hot Shots!)...spy/war movies (Top Secret!)...teen sex comedies (Not Another Teen Movie)...and horror shlockers (Dracula: Dead and Loving It, Scary Movie 1-3).

Most of these parodies follow the same formula: take familiar character types and situations from the genre you are lampooning, cast popular and semi-popular actors to draw in viewers, then make as many visual or situational references to big films in the above-mentioned genre, adding as many ridiculous touches as you possibly can.

In an ideal situation, as in Airplane! or the older Blazing Saddles and Young Frankenstein, the trick is to have the actors play the roles as straight and seriously as possible while adding the funny dialogue or hilarious visual joke. The juxtaposition of the dry performances and the humorous detail is what makes a film parody work.

Unfortunately, the current batch of supposedly "loving comic tributes" to formula films (including the Scary Movies) tends to focus excessively on the jokes without even asking for performances from the actors. Instead of taking their cues from the ZAZ team or even Mel Brooks and telling the cast to not let audiences know that they are in on the jokes, Jason Friedman and Aaron Seltzer allow Allyson Hannigan, Adam Campbell, Sophie Monk, and their cast-mates to mug, wink-and-nod, and practically shout to the viewer, "Hey, we are making fun of My Big Fat Greek Wedding, Bridget Jones' Diary, Napoleon Dynamite, Shallow Hal, Wedding Crashers, Hitch, When Harry Met Sally, The Bachelor, and even Star Wars Episode III: Revenge of the Sith!"