Set Etiquette

How to behave on the set.

As actors, we are schooled in dance, in Chekhov, in Scorsese, in diction. We are trained in all aspects of performing arts, so hopefully when that day arrives when opportunity comes a knockin' we can say, "Yeah, I can do that. Easy." What we are not privy to during all that Shakespearean training, archery lessons or while attending yet another "How to get an agent" seminar is how to behave when we do get a job.

Those who come from the theatre know that you always acknowledge the stage manager's "15 minutes" with a "Thank you" as much as they know not to speak The Scottish play's namesake or the mistake it is to whistle within the confines of the theatre. But what special if not eccentric rules exist on a set? Namely, what is set etiquette?

"We all know we couldn't do anything without the actor," says Adam Reed an experienced 1st and 2nd Assistant Director (A.D.) and now Director. That being said, Adam also recognizes that those actors who know the ropes are more likely to shine on a set. "You're always being observed. Someone's watching. It's really hard to get away with anything," he adds. So basically, it's to an actor's benefit to know how a set runs and who its players are, especially a beginning actor who most likely is working as a background player looking to move up.

A set, from a feature to a music video to a commercial, union or non-union, is run by certain rules. And within a set, each department is its own little world "That's the only reason it works," Adam says, "Different, specific jobs that all have boundaries and are all heading towards the same goal. The best thing to do is sit back and observe. That's how you're going to learn the most." And he adds, "Stay out of the way."