On the Edge: One of the Best Crime and Redemption Movies in Latter Times

From the moment Brother Hung's atmospheric soundtrack begins to complement equally weather-soaked visuals in this new triad piece, you know a treat's in store.

But mesmerizing sounds courtesy of Mr. Hung and his versatile keyboard compositions aren't all that's before us, something assured in part thanks to the presence of prolific director Herman Yau. His talents have previously been responsible for starting the entire Troublesome Night franchise in addition to more mainstream releases like Herbal Tea (2004), and now we have him engaged in more nefarious hijinx.

And frankly, On the Edge comes quite close to being a perfect movie, a feat stopped short only by its existence in a universe tread so many times it's due for a tire rotation: the indefatigable realm of Hong Kong cops and robbers.

Elements of Infernal Affairs and Expect the Unexpected emerge thick and fast, albeit with a major twist and superb execution. As a complete product, On the Edge wins out, bringing back the kind of cinema HK's vaunted wordwide reputation has been founded on.

The lead herein belongs to Nick Cheung, a truly believable and thoroughly impressive actor who rarely receives the primary roles his acumen suggests. Weaned on supporting performances thus far, Cheung portrays undercover cop Harry Sin, known to the criminal elements as Harry Boy. As the latter, he ensconces himself in a major organization headed by Boss Dark (Francis Ng in another quirky but effective appearance).

Harry does so well, he pretty much becomes a fully-fledged triad, befriending henchman Mini B (Derek Tseng of A.V fame), while totally falling for gorgeous karaoke joint beauty Cat (lovely Rain Li).

There have been, and doubtless will continue to be, stories about cops masquerading as the criminals they're supposed to bring in, but not many reach the palpable emotional effect ascribed to On the Edge. The interaction between Harry and his various underworld associations is rendered not only authentically, but with authoritative, effective melodrama liable to keep most viewers glued to the screen start to finish.