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Gershwin's Rhapsody in Blue: Different Arrangements & Criticisms

The Herbie Hancock / Lang Lang Version is Only One of Many Configurations

By Gregoriancant, published Feb 19, 2008
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Probably no other serious work written in America has exceeded the impact of George Gershwin's "Rhapsody in Blue." With Gershwin gone now over 70 years--the "Rhapsody" still gets played all over the world (and on United Airlines ads)--usually in differing arrangements to give the essence of the 25-minute-long piece. It's arguably one of the most adaptable "classical" (or whatever you want to call it) works in all of music. After Herbie Hancock and Lang-Lang performed a highly-truncated, two-piano edition of the work on the Grammy Awards February 10--a lot of people probably wondered how many arrangements can be done of the Rhapsody. Well, numerous editions have been officially published and performed (including Gershwin's original jazz band set-up for the orchestra). Most of those different configurations work, too, while almost always having some cuts if specifically played on TV when anything over five minutes (or actually one minute) is anathema in the eyes and ears of those born into the era of sound bites.

Gershwin's Rhapsody in Blue: Different Arrangements & Criticisms

A 1937 portrait of George Gershwin not long before his death from a brain tumor...

Credit: wikimedia.org

Copyright: wikimedia.org

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Send me a message to my content producer page if you want a copy of that tape.

Posted on 02/23/2008 at 2:02:14 PM

 
Thank God the Paul Schrader piece never came off is all I can say. Every single thing Paul Schrader's ever done is so relentlessly goddamn depressing. I just know that under Schrader's relentlessly bleak view of the universe George and Ira would probably have been turned into a couple of incestuous homos who couldn't keep their hands off each other or some other equally relentless and horrible thing. George and Ira Gershwin:Brothers in Serial Killing or some other ridiculously offensive crap. Even if George Gershwin was a homicidal homo I still wouldn't want to know. God grant me a few cherished illusions - one being that George and Ira Gershwin were relatively normal stable guys who just somehow managed to both be phenominally gifted and still stay decent. George and Ira Gershwin ROCK but Paul Schader SUCKS.

Posted on 02/23/2008 at 2:02:55 PM

 
Marcus Roberts's reimagination of Gershwin's classic is absolutely stellar as both performance and adaptation. I heard that in essence he wanted to play the piece as he thought every one of the greatest jazz pianists would've done it. If you listen carefully you can hear very clearly and distinctly not only the influence of Art Tatum, Oscar Peterson, Ellington, Scott Joplin, Thelonious Monk, Willie "The Lion" Smith and Fats Waller but also something of the very essence of each of these jazz greats reinterpreted through Gerswin's seminal masterwork. You forgot of course Larry Adler's performance of the Rhapsody on chromatic harmonica. There is also a reinterpretation of the Rhapsody by a ladies Sweet Adeline barbershop quartet known as Ambiance out of St. Louis MO with absolutely phenomenal lyrics about the city of New York. Good luck finding it though. If you send me info on how to transfer a tape recording to a CD burner recording I'll send you a copy if you like. Contact me and let m

Posted on 02/23/2008 at 2:02:49 PM

 
You probably already know this, but others may not. Paul Schrader wrote a screenplay in the 80s about Gershwin that was to be the followup Scorsese/DeNiro collaboration to The King of Comedy. Don't know why it never came off; DeNiro's too old now. I just hope Scorsese doesn't try it again with DiCaprio. Yuck.

Posted on 02/21/2008 at 8:02:18 AM

 
Interesting article! Enjoyed.

Posted on 02/19/2008 at 5:02:08 PM

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