The Essence of Filmmaking - Director Andrej Zdravic
By John Fucile, published Sep 27, 2006
Published Content: 22 Total Views: 10,491 Favorited By: 1 CPs
For the last week, I have been attending The Robert Flaherty Film Seminar in Brookville, Long Island, on an emerging filmmaker grant. Robert Flaherty is most famous for "Nanook of the North", considered by many to be the start of the documentary movement. However, for Robert, an explorer, this film was narrative fiction. It was us, the white man, that saw his work as anthropological or documentary. With that in mind, I refocused my quest for the nature of filmic narrative. On Wednesday, I watched, or rather experienced several films by Slovenian-born filmmaker Andrej Zdravic. Had I heard of him? No. Will I forget him? Never.
With more courage in one fingernail than Jerry Bruckheimer's entire staff, AZ decides to explore a subject, puts his camera in a place few of us would ever dare to go... and observes. What he captures is in a word "mind-bending". Whether it's a series of paper bags spinning in circles down Manhattan streets, an operating room from the 1970's or a lava flow, this director makes us see and feel things that may or may not be present in the image or sound. It's those connections that interests him. Your feelings - what you felt, saw and experienced. It's film theory of the highest order, made palitable to a wide audience.
"Origin" is a 24-minute film in which we watch the world unfold before our eyes. The struggle of lava flow as the Pacific Ocean crashes in to wipe out what was there only seconds ago, takes on a terrifying angle as powerful as any part of "Saving Private Ryan". I could not take my eyes off the screen and I am still dealing with what I 'saw'. The only reason Nike, Coke and Hollywood haven't snapped up this maniac is because he won't let them.
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Takeaways
- Kevin Smyth
- Jerry Bruckheimer
- Saving Private Ryan
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