Getting Past Your Fear of a Shakespearean Aside

In the world of Shakespeare, not all words spoken by his characters are directed toward other characters. You are probably familiar with the soliloquy; familiar enough to be distressed by it, in fact. A soliloquy is a longish interior monologue heard by no other characters and usually
 spoken when a character is completely alone on stage. There is another technique that Shakespeare uses in which the words spoken by a character are not heard by anyone else on stage, however, and it is known as the "aside." The aside allows Shakespeare to let a character make a comment that is heard by the audience, but none of the other players on the stage. The point of the aside is to allow one character to make a quick off-hand commentary about what is taking place during the scene. Actors very often used to telegraph an aside by actually placing their hand to the side of their mouth in such a way as to indicate that nobody could hear what they were saying but the audience. Today, however, such a gaudy display is typically eschewed, the result sometimes being that it is difficult for some to realize what has just been said was not heard by anyone else on stage.

 
Comments 1 - 3 of 3  
Comments
Type in Your Comments Below

...or more likely a therapist. ;) This gives everybody a chance to explore what the character is (or was) thinking while they do these type of asides through a sense of flashback or concurrently with the action taking place.

Posted on 04/21/2008 at 3:04:44 AM

A very expert explanation of the Shakespearean aside here, Tim. And it's too bad, isn't it, that the fourth wall is ignored so much in movies and plays now? Strange how it seems to work in the context of the Shakespeare language, yet looks silly to people when done in Ye Modern English. If a screenplay actually put more dialogue asides in a movie to examine exactly what the deepest feelings of the characters are, a studio would ultimately tell them to put a musical interlude there. I have a feeling it was studio overrule in the case of the Ephron movies or most other romantic comedies that cry out for witty asides. I guess one modern way around that (without having the character address the audience) is the "When Harry Met Sally" technique of having random couples talking to an unseen interviewer. If the main characters did that (and that's been done somewhat--a bit from Woody Allen's most recent projects), it gives the idea they're telling deep-down feelings to an interviewer...or mor

Posted on 04/21/2008 at 3:04:09 AM

You have great knowledge of Shakespeare's work...............you have given the due attention to his work

Posted on 04/10/2008 at 10:04:36 PM

Comments 1 - 3 of 3