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The Departed Box Office Take Over 77 Million and Counting..

The Departed is Bloody, Bankable Hell

By Paula Neal Mooney, published Oct 22, 2006
Published Content: 133  Total Views: 2,060,777  Favorited By: 152 CPs
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Rating: 3.7 of 5
I was in Boston the only time anyone ever called me a nigger to my face. A bunch of us college interns were pumping gas, and a cherry-red pick up containing a couple of white boys sped by and screamed the word.

Our group stopped and stared. Things moved in slow motion. We were stunned into silence.

This memory emerged this weekend, when my husband took me to see The Departed, Martin Scorsese's ultra-violent pseudo remake of Wai Keung Lau and Siu Fai Mak’s 2002 Hong Kong action film, Infernal Affairs.

Set in the gritty side of Boston, away from the cobble-stoned niceness of Newbury Street, The Departed opens with Jack Nicholson using the slur.

I sat there in the packed theater and tried to play it off like most blacks do in that sort of situation, pretending it didn’t really matter, and went ahead and absorbed myself into the crime drama, experiencing it as sort of a black fly on a rough white underworld wall of the Irish Mob.

Besides, Scorsese has a predilection for the N-word, I remembered, as he displayed so honestly in that Taxi Driver scene where he watched his wife's silhouette in the window of a black man from the vantage point of the back of Deniro's cab.

"You know who lives there?" a young Scorsese asked nutso Deniro. "A nigger lives there." It was so no-holds-bar that I can write the lines from memory.

I think that's where Quentin Tarantino got his fondness for it too. From watching the greats. But I digress…

The Departed is loaded with so many stars -  Matt Damon, Leonardo DiCaprio, Jack Nicholson, Mark Wahlberg, Alec Baldwin, Martis Sheen, Anthony Anderson, and the soon-to-be megastar Vera Farmiga -  I kept expecting Ben Affleck to pop up and show off his raw and dirty Southie accent, which I love to hear on Matt and Marky Mark.

The writing is superb, the acting is amazing, but it is so dark and violent and the body count so high, I hid behind my fingers and stretched my thumbs to plug my ears for a good one seventh of the bang-in-your-face, or smash-your-already-broken-forearm-with-a-boot scenes.

The Departed Box Office Take Over 77 Million and Counting..

The Departed

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Showing Comments 1 - 3 of 3
 
 
but result was clear. His corporate (9 to 5, cubically inclined, politically correct) audience was slapped to attention by the word. He then elevated himself into a supreme white artiste, cooler than thou, who understood the nuances of language, culture, and communication - and could use the word nigger in public (without getting his ass kicked) - because he listened to a Richard Pryor album when he was in college! He did not say all of this, but somehow, after saying nigger, he was immediately hip, and culturally aware. He was now an artist, free from the restraints holding down the corporate drone. Others wanted to be like him. Is this the apotheosis of Marty Scorsese? Will he pardon the white man, the colonialist, the missionary of their crimes against humanity? Will he make it okay for the white man to excuse his contempt for other people with sophistry? Or, maybe because Marty is an artist and a filmmaker, he is cooler than thou, and free from the restraints of decency and

Posted on 12/11/2006 at 12:12:00 AM

 
We also learn that the lowly nigger is lowly because he expects the world to give him something and is ill equipped, too afraid, or does not realize that he must take what he needs. …Okay. What does that have to do with the rest of the movie? Does it magically explain how these characters found their métier? Does it make Jack Nicholson’s character a tougher gangster? Does it make Matt Damon’s wannabe cop more roguish or from the skids? Does it desensitize America when we see our favorite actors flick the word nigger from their tongues like so much paint from a Jackson Pollock brush; at random, but with such force; aimlessly yet with unmistakable direction. In a different light, I attended a lecture by a leading American marketing executive who used the word nigger more than once during a presentation to the staff of a large Michigan advertising agency. Granted, it was with respect to Richard Pryor’s comedy sketch, Bicentennial Nigger, but result was clea

Posted on 12/11/2006 at 12:12:00 AM

 
Scorsese has more than a predilection for "the n-word". I believe he has a problem. I will let someone else write down all of the excuses (upbringing, culture, generation) for why he finds it necessary to make his characters throw the n-word around like a battered wife. Some people argue that it adds realism to a work that would otherwise be disingenuous or even revisionist, with respect to the history of race relations in America, were it omitted from the dialogue of his films. I argue that the racist rants, mutterings, or philosophizing add little value or realism to the characters and their stories. The storyboards for Infernal Affairs and The Departed are virtually identical. The original Hong Kong film however, does not play upon racial or cultural tensions that certainly exist in the Far East to accentuate its characters. From the outset of The Departed, however, we learn that some men become cops so that they can throw a niggers head through a plate glass window. We al

Posted on 12/11/2006 at 12:12:00 AM

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