Franz Josef Haydn - All You Need to Know About Classical Music's Most Lovable Character
Everybody Loves Haydn
By Cassandra Bertolucci, published Nov 21, 2006
Published Content: 13 Total Views: 4,351 Favorited By: 2 CPs
Haydn composed during the Classical Period; one that is marked by its “uncomplicated, clear, singable melodies” and that was “based primarily on a clear homophonic texture that stressed emotional restraint, perfection of form, and balance of quick changing dynamics” (Moss, 2003, classicalmus.hispeed.com). During the 18th century, middle class in Europe grew, as did the interest in music of the general populace (Kirby, 1984, pg. 498). Further, because of the French Revolution, Paris really was no longer the centre of music in Europe, and subsequently Vienna began to shine as the new hub of culture (www.swil.ocdsb.edu).
This lead to many works of the era being called of the Viennese style and composers around that area might have been referred to as of the Viennese School. The patronage system, where rich nobles employed composers and musicians for their personal use, was thriving at this time. While three revolutions took place in this time, the American, French, and Industrial Revolutions, Europe was enjoying the last years of autocratic rule (Moss, 2003, classicalmus.hispeed.com). Haydn seems to have been born at just the right time, to be amidst this culture that cultivated a love for music and to have venues, however few, within which to expound the depths of musical creativity.
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Takeaways
- Haydn was a prolific and cheerful composer.
- He wrote whatever Prince Esterhazy wanted him to write.
- Haydn is revered as the father of the symphony and inventor of the string quartet!
Did You Know?
True Classical music comes from the Classical Period, which took place from about 1730-1820. It was preceded by the Baroque Period and followed by the Romantic Period.
Resources
- Works Cited Grout, D.J. & Palisca, C.V. 1996, A History of Western Music, 5th ed., W.W. Norton and Company, New York, pg. 451-2. “Haydn and Mozart”, <home.wxs.nl/~cmr/haydn/ biograph/8590.htm>, accessed October 2003. Kirby, F.E. 1984, “Classical Music” from The World Book Encyclopedia, Vol. 4, World Book, Inc., Chicago, pg. 498-9. Krantz, A. n.d., “Joseph Haydn”, <jp.classicalarchives.com/bios/haydn_bio.html&;, accessed October 2003. Larsen, J.P. 1980, The New Grove Dictionary of Music and Musicians, Vol. 8, Stanley Sadie (ed.), pg. 328-360. Levin, B. 1972, “104 Reasons Why I Like Haydn”, <www.aam.co.uk/>, accessed October 2003. Originally published in The Times on October 13, 1972. Moss, C.K. 2003, “Joseph Haydn”, <classicalmus.hispeed.com/articles/haydn. html>, accessed from Carolina Classical Connection, October 2003. Pauly, R.G. 1984, “Haydn, Joseph” from The World Book Encyclopedia, Vol. 9, World Book, Inc., pg. 115. Schwarm, B. n.d., “Joseph Haydn”, <w3.rz-berlin.mpg.de/cmp/haydnj.html>, accessed October 2003. Slonimsky, N. 1992, Baker’s Biographical Dictionary of Musicians, 8th ed., Schirmer Books, New York, pg. 736-7. Taylor, F. 1907, Preface in Haydn Sonatas, Book 1, Augener Edition, Galaxy Music Corporation, New York, pg.
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