Bio:
I live with my wife and three cats in rural Vermont. I would like to be in the city. But in the country you can wipe cake off your face. Constantly. The year of the mustache!
I live with my wife and three cats in rural Vermont. I would like to be in the city. But in the country you can wipe cake off your face. Constantly. The year of the mustache!
Education/Experience:
Master of Fine Arts
Master of Fine Arts
Interests:
Literature and the spoils.
Literature and the spoils.
Gregory Schneider's Favorites
None yet.
None yet.
Gregory Schneider's Fans
None yet.
None yet.
Showing Results 1 - 22 of 22
Saul Bellow's final novel is indeed an odd beast. A hybrid of the anti-novel (there's very little external conflict), biography (the account of Abe Ravelstein), and memoir of a barely-disguised Bellow himself.
By Gregory Schneider | Published 12/16/2005 | Read more »
The Easy Rawlins series is where Walter Mosley's genius best expresses itself. This is a genius of ear and eye, of vision and soul.
By Gregory Schneider | Published 12/6/2005 | Read more »
By splitting the self in two, the post-colonial characters seeks not only to save himself in the face of advancing modernity and industrialism, but also to indirectly interrogate the psychological risks of such duality.
By Gregory Schneider | Published 12/5/2005 | Read more »
The narrative structure of Mary Shelley's Frankenstein occurs in passes, like a relay race with three runners, who each pass the baton in a circuitous pattern.
By Gregory Schneider | Published 11/26/2005 | Read more »
This paper explores the Objectivist technique used by the writer Charles Reznikoff in his novel The Manner Music.
By Gregory Schneider | Published 11/26/2005 | Read more »
Jonathan Dollimore states that the "human identity is more constituted than constitutive; constituted by the pre-existing structures of language and ideology, and by the material conditions of human existence."
By Gregory Schneider | Published 11/26/2005 | Read more »
In the introduction to Post-Colonial Drama: Theory, Practice, and Politics, the authors Helen Gilbert and Joanne Tompkins lay out the keynote aim of their book: "To focus on the methods by which post-colonial drama resists imperialism and its effects."
By Gregory Schneider | Published 11/26/2005 | Read more »
This paper will examine Shakespeare's Othello using Post-Colonial literary theory as its touchstone.
By Gregory Schneider | Published 11/26/2005 | Read more »
Though Love, etc, may seem a conventional, linear, and straight-forward retread of Talking it Over, his attention to language and voice makes this novel a gem.
By Gregory Schneider | Published 11/7/2005 | Read more »
He may be overlooked (and lately unpublishable) in American, but author Will Self trumps his contemporaries.
By Gregory Schneider | Published 11/7/2005 | Read more »
As a novelist myself, I found myself re-examining my own techniques after reading The Wind-Up Bird Chronicle.
By Gregory Schneider | Published 11/7/2005 | Read more »
Bret Easton Ellis is trying, at least, with his new novel Lunar Park. However, effort doesn't make the grade.
By Gregory Schneider | Published 11/4/2005 | Read more »
Beckett has been known to be a "difficult" author. Here's a crack at what it's all about.
By Gregory Schneider | Published 11/3/2005 | Read more »
This book is a hybrid of psychological analysis, conditional study, political manifesto, and exploration sexual identity and identities. At the center of this is Fanon's own examination: outsider and insider, student and doctor; teacher and disease.
By Gregory Schneider | Published 11/2/2005 | Read more »
In "Somnambulism: A Fragment" the gothic style conveys terror: Sleepwalking Althorpe murders the woman he desires. Yet, to read the story as a curiosity would miss its parodying against Benjamin Franklin's ideals of industry and pragmatism.
By Gregory Schneider | Published 11/2/2005 | Read more »
In the three unfinished novels by Franz Kafka there is a quick and understated burst of sexual energy exhibited by the male protagonists which color their disrupted universe.
By Gregory Schneider | Published 11/2/2005 | Read more »
"But what about the children?" no one asks in Nella Larsen's Passing. This paper will explore Larsen's dialectic of motherhood between the hyper-sensitive Irene and the perma-detached Clare, and to what ends these versions of motherhood coincide.
By Gregory Schneider | Published 11/2/2005 | Read more »
Renaissance England was a hierarchical and oppressive environment for women. In this paper, I'll uncover the layers of female gender-role resistance as represented in Thomas Middleton's and Thomas Dekker's The Roaring Girl.
By Gregory Schneider | Published 11/2/2005 | Read more »
An axiom post-colonial literature: The novel acts as a site of subversion to resist the imperialistic monolith To resist colonization, the post-colonial novel seeks to redraw the world as the post-colonial subject (or Other) knows, or does not, know it.
By Gregory Schneider | Published 11/2/2005 | Read more »
Though mostly known as one of New York's great Jewish Objectivist Poets, Charles Reznikoff wrote two novels that are often ignored. This research paper seeks to establish them as great artistic statements.
By Gregory Schneider | Published 11/2/2005 | Read more »
This Graduate Essay for American Literature examines Chestnutt's Marrow of Tradition for its historical impact, as well as its formalist strategies.
By Gregory Schneider | Published 11/1/2005 | Read more »
Umberto Eco is a master of language. His new novel falls short, nevertheless.
By Gregory Schneider | Published 10/23/2005 | Read more »
Filter Gregory Schneider's Published Content:
Search Gregory Schneider's Published Content:
Permalink: