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Barry Mauerliving in Orlando, FL
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| TOTAL VIEWS: 17,610 | | | PUBLISHED CONTENT: 21 | | | FAVORITED BY: 2 | | | CONTENT PRODUCER SINCE: 11/20/2005 |
Barry Mauer earned his Ph.D. in Cultural Studies at the University of Florida, 1999. He is now an associate Professor of English at the University of Central Florida. He has released two albums of original music: Fantasy Life and Paris Museum. Education/Experience: Orlando Interests: film, literature, theory, history, politics, music. Motto: The unexamined life is not worth living. Affiliations: University of Central Florida URL RSS |
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Showing Results 1 - 21 of 21
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Prom Down the Tubes By Barry Mauer | Published 5/18/2006
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Prom Down the Tubes By Barry Mauer | Published 5/18/2006
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An overview of Glenn Miller's career in the military. By Barry Mauer | Published 3/13/2006
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A discussion of Hollywood as a factory system that balanced the rational efficiency of Taylorist production and the lavish sensuality depicted in the films themselves. By Barry Mauer | Published 2/15/2006
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An explanation of charisma, or "star appeal." By Barry Mauer | Published 2/15/2006
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A History and Analysis of Swing Music By Barry Mauer | Published 2/15/2006
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The Glenmont Popes burn hot and fast. By Barry Mauer | Published 1/25/2006
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The Derailers deliver satisfying retro rockabilly and country. By Barry Mauer | Published 1/25/2006
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This essay arose from the insight that structuralist methodologies could bridge the gaps among various forms of communication, including music, writing, and film. It shows how "In the Mood" gets its ideological force from the structure of Miller's band. By Barry Mauer | Published 1/20/2006
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An experimental essay that combines information theory with musical style to produce insights about Frank Sinatra's ballad singing. By Barry Mauer | Published 1/18/2006
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An explanation of how Armstrong elevated the performer-as-editor above the composer in jazz music. By Barry Mauer | Published 1/18/2006
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A brief essay about the writing of Razaf's classic song "(What Did I Do To Be So) Black and Blue" By Barry Mauer | Published 1/18/2006
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This article refers to the birth of rock and roll to describe how cultural inventions can arise from novel mixtures of amateur and professional aesthetic practices. By Barry Mauer | Published 1/9/2006
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This article discussed the ways in which rock musicians, here identified as belonging to "electronic culture," use archives differently from artists who belong to a culture of alphabetic literacy. By Barry Mauer | Published 1/9/2006
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Notes on William Miller's discussion about the theory and practice of screenwriting for comedies. By Barry Mauer | Published 1/9/2006
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Bertolt Brecht believd that any narrative either disguises and obscures the structure of social forces or reveals and exposes them. Brecht's drama aims to reveal and expose the social forces underlying everyday events. By Barry Mauer | Published 1/9/2006
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The key to the invention of rock and roll was the development of a "personal culture," which enabled the early rockers to think and communicate differently from commonly accepted modes. By Barry Mauer | Published 1/5/2006
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A discussion of Socratic dialogue, its history in ancient Greece and use in modern universities, including a discussion of its fragility. By Barry Mauer | Published 1/3/2006
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A discussion of Surrealist politics and its relation to other modern political movements, including fascism and communism. By Barry Mauer | Published 12/19/2005
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An introduction to early French New Wave filmmakers. By Barry Mauer | Published 12/13/2005
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Memory was enormously important in classical rhetoric. Orators had to deliver long speeches with total accuracy. In her book, The Art of Memory, Frances Yates explains that artificial memory depended upon the recollection of images. By Barry Mauer | Published 11/23/2005
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